Monday, August 19, 2013

Smile Dog

I first met in person with Mary E. in the summer of 2007. I had arranged with her husband of fifteen years, Terence, to see her for an interview. Mary had initially agreed, since I was not a newsman but rather an amateur writer gathering information for a few early college assignments and, if all went according to plan, some pieces of fiction. We scheduled the interview for a particular weekend when I was in Chicago on unrelated business, but at the last moment Mary changed her mind and locked herself in the couple’s bedroom, refusing to meet with me. For half an hour I sat with Terence as we camped outside the bedroom door, I listening and taking notes while he attempted fruitlessly to calm his wife.

The things Mary said made little sense but fit with the pattern I was expecting: though I could not see her, I could tell from her voice that she was crying, and more often than not her objections to speaking with me centered around an incoherent diatribe on her dreams — her nightmares. Terence apologized profusely when we ceased the exercise, and I did my best to take it in stride; recall that I wasn’t a reporter in search of a story, but merely a curious young man in search of information. Besides, I thought at the time, I could perhaps find another, similar case if I put my mind and resources to it.

Mary E. was the sysop for a small Chicago-based Bulletin Board System in 1992 when she first encountered smile.jpg and her life changed forever. She and Terence had been married for only five months. Mary was one of an estimated 400 people who saw the image when it was posted as a hyperlink on the BBS, though she is the only one who has spoken openly about the experience. The rest have remained anonymous, or are perhaps dead.

In 2005, when I was only in tenth grade, smile.jpg was first brought to my attention by my burgeoning interest in web-based phenomena; Mary was the most often cited victim of what is sometimes referred to as “Smile.dog,” the being smile.jpg is reputed to display. What caught my interest (other than the obvious macabre elements of the cyber-legend and my proclivity toward such things) was the sheer lack of information, usually to the point that people don’t believe it even exists other than as a rumor or hoax.

It is unique because, though the entire phenomenon centers on a picture file, that file is nowhere to be found on the internet; certainly many photomanipulated simulacra litter the web, showing up with the most frequency on sites such as the imageboard 4chan, particularly the /x/-focused paranormal subboard. It is suspected these are fakes because they do not have the effect the true smile.jpg is believed to have, namely sudden onset temporal lobe epilepsy and acute anxiety.

This purported reaction in the viewer is one of the reasons the phantom-like smile.jpg is regarded with such disdain, since it is patently absurd, though depending on whom you ask the reluctance to acknowledge smile.jpg’s existence might be just as much out of fear as it is out of disbelief. Neither smile.jpg nor Smile.dog is mentioned anywhere on Wikipedia, though the website features articles on such other, perhaps more scandalous shocksites as ****** (hello.jpg) or 2girls1cup; any attempt to create a page pertaining to smile.jpg is summarily deleted by any of the encyclopedia’s many admins.

Encounters with smile.jpg are the stuff of internet legend. Mary E.’s story is not unique; there are unverified rumors of smile.jpg showing up in the early days of Usenet and even one persistent tale that in 2002 a hacker flooded the forums of humor and satire website Something Awful with a deluge of Smile.dog pictures, rendering almost half the forum’s users at the time epileptic.

It is also said that in the mid-to-late 90s that smile.jpg circulated on usenet and as an attachment of a chain email with the subject line “SMILE!! GOD LOVES YOU!” Yet despite the huge exposure these stunts would generate, there are very few people who admit to having experienced any of them and no trace of the file or any link has ever been discovered.

Those who claim to have seen smile.jpg often weakly joke that they were far too busy to save a copy of the picture to their hard drive. However, all alleged victims offer the same description of the photo: A dog-like creature (usually described as appearing similar to a Siberian husky), illuminated by the flash of the camera, sits in a dim room, the only background detail that is visible being a human hand extending from the darkness near the left side of the frame. The hand is empty, but is usually described as “beckoning.” Of course, most attention is given to the dog (or dog-creature, as some victims are more certain than others about what they claim to have seen). The muzzle of the beast is reputedly split in a wide grin, revealing two rows of very white, very straight, very sharp, very human-looking teeth.

This is, of course, not a description given immediately after viewing the picture, but rather a recollection of the victims, who claim to have seen the picture endlessly repeated in their mind’s eye during the time they are, in reality, having epileptic fits. These fits are reported to continue indeterminably, often while the victims sleep, resulting in very vivid and disturbing nightmares. These may be treated with medication, though in someses it is more effective than others.

Mary E., I assumed, was not on effective medication. That was why after my visit to her apartment in 2007 I sent out feelers to several folklore- and urban legend-oriented newsgroups, websites, and mailing lists, hoping to find the name of a supposed victim of smile.jpg who felt more interested in talking about his experiences. For a time nothing happened and at length I forgot completely about my pursuits, since I had begun my freshman year of college and was quite busy. Mary contacted me via email, however, near the beginning of March 2008.

Added by MooseJuice
To: jml@****.com
From: marye@****.net
Subj: Last summer’s interview
Dear Mr. L.,
I am incredibly sorry about my behavior last summer when you came to interview me. I hope you understand that it was no fault of yours, but rather my own problems that led me to act out as I did. I realized that I could have handled the situation more decorously; however, I hope you will forgive me. At the time, I was afraid.

You see, for fifteen years I have been haunted by smile.jpg. Smile.dog comes to me in my sleep every night. I know that sounds silly, but it is true. There is an ineffable quality about my dreams, my nightmares, that makes them completely unlike any real dreams I have ever had. I do not move and do not speak. I simply look ahead, and the only thing ahead of me is the scene from that horrible picture. I see the beckoning hand, and I see Smile.dog. It talks to me.

It is not a dog, of course, though I am not quite sure what it really is. It tells me it will leave me alone if only I do as it asks. All I must do, it says, is “spread the word.” That is how it phrases its demands. And I know exactly what it means: it wants me to show it to someone else.

And I could. The week after my incident I received in the mail a manila envelope with no return address. Inside was only a 3 ½ -inch floppy diskette. Without having to check, I knew precisely what was on it.
I thought for a long time about my options. I could show it to a stranger, a coworker… I could even show it to Terence, as much as the idea disgusted me. And what would happen then? Well, if Smile.dog kept its word I could sleep. Yet if it lied, what would I do? And who was to say something worse would not come for me if I did as the creature asked?

So I did nothing for fifteen years, though I kept the diskette hidden amongst my things. Every night for fifteen years Smile.dog has come to me in my sleep and demanded that I spread the word. For fifteen years I have stood strong, though there have been hard times. Many of my fellow victims on the BBS board where I first encountered smile.jpg stopped posting; I heard some of them committed suicide. Others remained completely silent, simply disappearing off the face of the web. They are the ones I worry about the most.
I sincerely hope you will forgive me, Mr. L., but last summer when you contacted me and my husband about an interview I was near the breaking point. I decided I was going to give you the floppy diskette. I did not care if Smile.dog was lying or not, I wanted it to end. You were a stranger, someone I had no connection with, and I thought I would not feel sorrow when you took the diskette as part of your research and sealed your fate.

Before you arrived I realized what I was doing: was plotting to ruin your life. I could not stand the thought, and in fact I still cannot. I am ashamed, Mr. L., and I hope that this warning will dissuade you from further investigation of smile.jpg. You may in time encounter someone who is, if not weaker than I, then wholly more depraved, someone who will not hesitate to follow Smile.dog’s orders.

Stop while you are still whole.

Sincerely,
Mary E.

Terence contacted me later that month with the news that his wife had killed herself. While cleaning up the various things she’d left behind, closing email accounts and the like, he happened upon the above message. He was a man in shambles; he wept as he told me to listen to his wife’s advice. He’d found the diskette, he revealed, and burned it until it was nothing but a stinking pile of blackened plastic. The part that most disturbed him, however, was how the diskette had hissed as it melted. Like some sort of animal, he said.

I will admit that I was a little uncertain about how to respond to this. At first I thought perhaps it was a joke, with the couple belatedly playing with the situation in order to get a rise out of me. A quick check of several Chicago newspapers’ online obituaries, however, proved that Mary E. was indeed dead. There was, of course, no mention of suicide in the article. I decided that, for a time at least, I would not further pursue the subject of smile.jpg, especially since I had finals coming up at the end of May.
But the world has odd ways of testing us. Almost a full year after I’d returned from my disastrous interview with Mary E., I received another email:

To: jml@****.com
From: elzahir82@****.com
Subj: smile

Hello

I found your e-mail adress thru a mailing list your profile said you are interested in smiledog. I have saw it it is not as bad as every one says I have sent it to you here. Just spreading the word.

(:

The final line chilled me to the bone.

According to my email client there was one file attachment called, naturally, smile.jpg. I considered downloading it for some time. It was mostly likely a fake, I imagined, and even if it weren’t I was never wholly convinced of smile.jpg’s peculiar powers. Mary E.’s account had shaken me, yes, but she was probably mentally unbalanced anyway. After all, how could a simple image do what smile.jpg was said to accomplish? What sort of creature was it that could break one’s mind with only the power of the eye?

And if such things were patently absurd, then why did the legend exist at all?

If I downloaded the image, if I looked at it, and if Mary turned out to be correct, if Smile.dog came to me in my dreams demanding I spread the word, what would I do? Would I live my life as Mary had, fighting against the urge to give in until I died? Or would I simply spread the word, eager to be put to rest? And if I chose the latter route, how could I do it? Whom would I burden in turn?

If I went through with my earlier intention to write a short article about smile.jpg, I decided, I could attach it as evidence. And anyone who read the article, anyone who took interest, would be affected. And even assuming the smile.jpg attached to the email was genuine, would I be capricious enough to save myself in that manner?

Could I spread the word?

Yes, yes I could.


Candle Cove

Skyshale033
Subject: Candle Cove local kid’s show?
Does anyone remember this kid’s show? It was called Candle Cove and I must have been 6 or 7. I never found reference to it anywhere so I think it was on a local station around 1971 or 1972. I lived in Ironton at the time. I don’t remember which station, but I do remember it was on at a weird time, like 4:00 PM.

mike_painter65
Subject: Re: Candle Cove local kid’s show?
it seems really familiar to me…..i grew up outside of ashland and was 9 yrs old in 72. candle cove…was it about pirates? i remember a pirate marionete at the mouth of a cave talking to a little girl

Skyshale033
Subject: Re: Candle Cove local kid’s show?
YES! Okay I’m not crazy! I remember Pirate Percy. I was always kind of scared of him. He looked like he was built from parts of other dolls, real low-budget. His head was an old porcelain baby doll, looked like an antique that didn’t belong on the body. I don’t remember what station this was! I don’t think it was WTSF though.

Jaren_2005
Subject: Re: Candle Cove local kid’s show?
Sorry to ressurect this old thread but I know exactly what show you mean, Skyshale. I think Candle Cove ran for only a couple months in ‘71, not ‘72. I was 12 and I watched it a few times with my brother. It was channel 58, whatever station that was. My mom would let me switch to it after the news. Let me see what I remember.

It took place in Candle cove, and it was about a little girl who imagined herself to be friends with pirates. The pirate ship was called the Laughingstock, and Pirate Percy wasn’t a very good pirate because he got scared too easily. And there was calliope music constantly playing. Don’t remember the girl’s name. Janice or Jade or something. Think it was Janice.

Skyshale033
Subject: Re: Candle Cove local kid’s show?
Thank you Jaren!!! Memories flooded back when you mentioned the Laughingstock and channel 58. I remember the bow of the ship was a wooden smiling face, with the lower jaw submerged. It looked like it was swallowing the sea and it had that awful Ed Wynn voice and laugh. I especially remember how jarring it was when they switched from the wooden/plastic model, to the foam puppet version of the head that talked.

mike_painter65
Subject: Re: Candle Cove local kid’s show?
ha ha i remember now too. ;) do you remember this part skyshale: “you have…to go…INSIDE.”

Skyshale033
Subject: Re: Candle Cove local kid’s show?
Ugh mike, I got a chill reading that. Yes I remember. That’s what the ship always told Percy when there was a spooky place he had to go in, like a cave or a dark room where the treasure was. And the camera would push in on Laughingstock’s face with each pause. YOU HAVE… TO GO… INSIDE. With his two eyes askew and that flopping foam jaw and the fishing line that opened and closed it. Ugh. It just looked so cheap and awful.

You guys remember the villain? He had a face that was just a handlebar mustache above really tall, narrow teeth.

kevin_hart
Subject: Re: Candle Cove local kid’s show?
i honestly, honestly thought the villain was pirate percy. i was about 5 when this show was on. nightmare fuel.

Jaren_2005
Subject: Re: Candle Cove local kid’s show?
That wasn’t the villain, the puppet with the mustache. That was the villain’s sidekick, Horace Horrible. He had a monocle too, but it was on top of the mustache. I used to think that meant he had only one eye.

But yeah, the villain was another marionette. The Skin-Taker. I can’t believe what they let us watch back then.

kevin_hart
Subject: Re: Candle Cove local kid’s show?
jesus h. christ, the skin taker. what kind of a kids show were we watching? i seriously could not look at the screen when the skin taker showed up. he just descended out of nowhere on his strings, just a dirty skeleton wearing that brown top hat and cape. and his glass eyes that were too big for his skull. christ almighty.

Skyshale033
Subject: Re: Candle Cove local kid’s show?
Wasn’t his top hat and cloak all sewn up crazily? Was that supposed to be children’s skin??

mike_painter65
Subject: Re: Candle Cove local kid’s show?
yeah i think so. rememer his mouth didn’t open and close, his jaw just slid back and foth. i remember the little girl said “why does your mouth move like that” and the skin-taker didn’t look at the girl but at the camera and said “TO GRIND YOUR SKIN”

Skyshale033
Subject: Re: Candle Cove local kid’s show?
I’m so relieved that other people remember this terrible show!

I used to have this awful memory, a bad dream I had where the opening jingle ended, the show faded in from black, and all the characters were there, but the camera was just cutting to each of their faces, and they were just screaming, and the puppets and marionettes were flailing spastically, and just all screaming, screaming. The girl was just moaning and crying like she had been through hours of this. I woke up many times from that nightmare. I used to wet the bed when I had it.

kevin_hart
Subject: Re: Candle Cove local kid’s show?
i don’t think that was a dream. i remember that. i remember that was an episode.

Skyshale033
Subject: Re: Candle Cove local kid’s show?
No no no, not possible. There was no plot or anything, I mean literally just standing in place crying and screaming for the whole show.

kevin_hart
Subject: Re: Candle Cove local kid’s show?
maybe i’m manufacturing the memory because you said that, but i swear to god i remember seeing what you described. they just screamed.

Jaren_2005
Subject: Re: Candle Cove local kid’s show?
Oh God. Yes. The little girl, Janice, I remember seeing her shake. And the Skin-Taker screaming through his gnashing teeth, his jaw careening so wildly I thought it would come off its wire hinges. I turned it off and it was the last time I watched. I ran to tell my brother and we didn’t have the courage to turn it back on.

mike_painter65
Subject: Re: Candle Cove local kid’s show?
i visited my mom today at the nursing home. i asked her about when i was littel in the early 70s, when i was 8 or 9 and if she remebered a kid’s show, candle cove. she said she was suprised i could remember that and i asked why, and she said “because i used to think it was so strange that you said ‘i’m gona go watch candle cove now mom’ and then you would tune the tv to static and juts watch dead air for 30 minutes. you had a big imagination with your little pirate show.”


Slenderman

After waking up with a jolt, the girl laid in bed a few seconds longer. Reaching over to switch on her bedside lamp, she tried to remember exactly what had stolen her sweet slumber away. When she couldn’t, the brunette swung her legs over the side of the bed and heaved herself up. Checking the time on her phone, she snorted when she saw it was midnight- the witching hour. Knowing that sleep would only evade her, she left her bedroom for the kitchen, a good cup of coffee on her mind.

As she passed by her front door, a chill spread like liquid fire down her spine. It’s only winter, she told herself, focusing again on the coffee plan. Measuring out scoops, water, and preparing her cup kept her occupied, but as the dark liquid boiled, she had nothing left to keep her mind from wandering off. The chill returned and she couldn’t help but glance behind her to the front door. It stood there innocently enough, just like always. The dead bolt was still in place and she could see nothing amiss with it. Turning back to her coffee, she did her best to forget about the feeling.

With her cup in hand, she started back towards her bedroom. As she walked by the front door, she decided that a quick glance out of the peep hole would help calm her restless mind. The chill worsened with each step she took towards the door and further away from the safety and warmth of her blankets. She pressed her empty hand against the cold, metal door and took a deep breath before leading her eye to the peep hole.

At first, she could only see an inky blackness and somehow seemed to swirl in itself. When she blinked in surprise, the void melted away. She wished it hadn’t. In it’s place, there stood what she could only guess was once a man. The limbs were long and inhumanly awkward, with bulky joints branching off into several arms, not unlike the branches of a tree. The creature was drapped in a black suit, somehow manking the thing more nightmarish to her. The icing on the proverbial cake, however, was what passed as the hellish thing’s face. It was as though her mind blurred the ghastly visage to spare itself further shock and horror.

She shoved herself away from the door with the hand still pressed against it. The scalding mug of coffee fell, the liquid burning her bare legs as she fell backwards and tried to crawl away from the door. She knew, somehow, that her mind hadn’t been playing tricks on her. As she crab walked away from the door, she watched as tendrels as black as the void she first saw snake around through the cracks. The girl was trapped between the instinct to flee and the gut feeling to not turn her back on the door. When the door jolted, the urge to flee overcame her and she slipped in the burning liquid as she tried to make it back to her room.

She knew deep down that she was trapping herself in a corner, but she had to get away from the door. The girl was halfway down the hallway when she heard the previously locked door creak open. She screamed and slipped into a wall, cracking her chin on it and stunning her.

After that, there was only blackness.

“Nicole?” a warm, male voice snapped the woman out of her trance. As she turned around, she was met by one of her sister’s doctor’s. She nodded, not sure if she should say anything, or even if she could find her voice if she did have something to say. That morning, she had gotten an urgent phone call from the hospital, saying that her sister, Lindsay, was there. Before they had even let her see her, the doctor’s had pulled her off to the side and insisted that they talk to her about what might have happened. Phrases like ‘self-inflected’ and ‘assault’ had been thrown around and Nicole felt her mind reel.

She still hadn’t fully understood what they had been saying until she saw Lindsay with her own eyes. Her little sister had a bandage wrapped around her head, covering both of her ears as well as her eyes. They said it was to keep her now deadened eyes from drying out and to try to keep infection out of the wounds Lindsay had made to her ears. The doctors had guessed that either she or someone else had jammed a pencil into them to keep her off balance or to deafen herself against something. There was the mix of first and second degree burns on her hands, legs, and feet, from what was assumed to be the coffee her neighbors found slipped all over the entry to her apartment.

As Nicole walked into her sister’s hospital room the first time, she thought she had spied the silhouette of a man in the window. That, she knew, was impossible. Her sister’s room was on the third story of the hospital.


Friday, August 16, 2013

The Holders 1: The Holder of the End

In any city, in any country, go to any mental institution or halfway house in you can get yourself to. When you reach the front desk, ask to visit someone who calls himself "The Holder of the End". Should a look of child-like fear come over the workers face, you will then be taken to a cell in the building. It will be in a deep hidden section of the building. All you will hear is the sound of someone talking to themselves echo the halls. It is in a language that you will not understand, but your very soul will feel unspeakable fear. 

Should the talking stop at any time, STOP and QUICKLY say aloud "I'm just passing through, I wish to talk." If you still hear silence, flee. Leave, do not stop for anything, do not go home, don't stay at an inn, just keep moving, and sleep where your body drops. You will know in the morning if you've escaped. 

If the voice in the hall comes back after you utter those words continue on. Upon reaching the cell all you will see is a windowless room with a person in the corner, speaking an unknown language, and cradling something. The person will only respond to one question. "What happens when they all come together?" 

The person will then stare into your eyes and answer your question in horrifying detail. Many go mad in that very cell, some disappear soon after the meeting, and a few end their lives. But most do the worst thing, and look upon the object in the person's hands. You will want to as well. Be warned that if you do, your death will be one of cruelty and unrelenting horror. 

Your death will be in that room, by that person's hands. 

That object is 1 of 538. They must never come together. Never. 

If you like the series, let me know, and I will keep posting

The Holders

In any city, in any country, there's a mental institution or halfway house you can try any of these in. There were 2538 of these Objects, but 2000 were lost. 

The remaining 538 must never come together. Ever. 

These stories have been gathered from various sources, many of which are questionable at best, but they all follow a similar thread; they tell the tale of a number of Objects, which, when brought together, will bring about horrendous consequences, details of which drive most people mad.

The veracity of the stories is always in question; this is how it is intended to be. Nobody really knows if these Objects are real, or if there are indeed a set number of Objects that exist in the world that yearn to a reunion of his kind. Speculation runs rampant; part of what makes the Holders stories so enticing is the possibility any person could go into a special institution, ask to visit a Holder, and be forced to undergo a test of power to earn an Object. 

Some of the Holders have posted their own stories, adding to the mystery of an already eerie and unnerving series. This site is merely an archive; the Holders themselves have leaped around the fields of realm and lore since time immemorial, and the Objects are restless for their Reunion. 

The Objects, while powerful and fearsome, lack the ability to freely gather together of their own volition, and so have called forth a need in certain individuals. These people become Seekers, their stories as twisted and damned as the Objects themselves. These Seekers have oft set out for three main reasons: to Seek for Power, to Seek for Reunion, or to Seek for Separation. Their goals are known to mutate and change them into villains and monsters but we can only hope that one with just a heart prevails over these foes. 

There may very well be a reason that you have come across this site, dear reader. Perhaps the Objects are calling.

The Rake

During the summer of 2003, events in the northeastern United States involving a strange, humanlike creature sparked brief local media interest before an apparent blackout was enacted. Little or no information was left intact, as most online and written accounts of the creature were mysteriously destroyed.

Primarily focused in rural New York state, self proclaimed witnesses told stories of thier enounters with a creature of unkown origin. Emotions ranged from extremely traumatic levels of fright and discomfort, to an almost childlike sense of playfulness and curiosity. While their published versions are no longer on record, the memories remained powerful. Several of the involved parties began looking for answers that year.

In early 2006, the collaboration had accumulated nearly two dozen documents dating between the 12th century and present day, spanning 4 continents. In almost all cases, the stories were identical. I’ve been in contact with a member of this group and was able to get some exceprts from their upcoming book.

The Rake

A Suicide Note: 1964

As I prepare to take my life, I feel it necessary to assuage any guilt or pain I have introduced through this act. It is not the fault of anyone other than him. For once I awoke and felt his presence. And once I awoke and saw his form. Once again I awoke and heard his voice, and looked into his eyes. I cannot sleep without fear of what I might next awake to experience. I cannot ever wake. Goodbye.

Found in the same wooden box were two empty envelopes addressed to William and Rose, and one loose personal letter with no envelope.

‘Dearest Linnie,
I have prayed for you. He spoke your name.’

A Journal Entry (translated from Spanish): 1880

I have experience the greatest terror. I have experienced the greatest terror. I have experienced the greatest terror. I see his eyes when I close mine. They are hollow. Black. They saw me and pierced me. His wet hand. I will not sleep. His voice (unintelligible text).

A Mariner’s Log: 1691

He came to me in my sleep. From the foot of my bed I felt a sensation. He took everything. We must return to England. We shall not return here again at the request of the Rake.

From a Witness: 2006

Three years ago, I had just returned from a trip from Niagara Falls with my family for the 4th of July. We were all very exhausted after a long day of driving, so my husband and I put the kids right to bed and called it a night.

At about 4am, I woke up thinking my husband had gotten up to use the restroom. I used the moment to steal back the sheets, only to wake him in the process. I appologized and told him I though he got out of bed. When he turned to face me, he gasped and pulled his feet up from the end of the bed so quickly his knee almost knocked me out of the bed. He then grabbed me and said nothing.

After adjusting to the dark for a half second, I was able to see what caused the strange reaction. At the foot of the bed, sitting and facing away from us, there was what appeared to be a naked man, or a large hairless dog of some sort. It’s body position was disturbing and unnatural, as if it had been hit by a car or something. For some reason, I was not instantly frightened by it, but more concerned as to its condition. At this point I was somewhat under the assumption that we were supposed to help him.

My husband was peering over his arm and knee, tucked into the fetal position, occasionally glancing at me before returning to the creature.

In a flurry of motion, the creature scrambled around the side of the bed, and then crawled quickly in a flailing sort of motion right along the bed until it was less than a foot from my husband’s face. The creature was completely silent for about 30 seconds (or probably closer to 5, it just seemed like a while) just looking at my husband. The creature then placed its hand on his knee and ran into the hallway, leading to the kids’ rooms.

I screamed and ran for the lightswitch, planning to stop him before he hurt my children. When I got to the hallway, the light from the bedroom was enough to see it crouching and hunched over about 20 feet away. He turned around and looked directly at me, covered in blood. I flipped the switch on the wall and saw my daughter Clara.

The creature ran down the stairs while my husband and I rushed to help our daughter. She was very badly injured and spoke only once more in her short life. She said “he is the Rake”.

My husband drove his car into a lake that night, while rushing our daughter to the hospital. He did not survive.

Being a small town, news got around pretty quickly. The police were helpful at first, and the local newspaper took a lot of interest as well. However, the story was never published and the local television news never followed up either.

For several months, my son Justin and I stayed in a hotel near my parent’s house. After we decided to return home, I began looking for answers myself. I eventually located a man in the next town over who had a similar story. We got in contact and began talking about our experiences. He knew of two other people in New York who had seen the creature we now referred to as the Rake.

It took the four of us about two solid years of hunting on the internet and writing letters to come up with a small collection of what we believe to be accounts of the Rake. None of them gave any details, history or follow up. One journal had an entry involving the creature in its first 3 pages, and never mentioned it again. A ship’s log explained nothing of the encounter, saying only that they were told to leave by the Rake. That was the last entry in the log.

There were, however, many instances where the creature’s visit was one of a series of visits with the same person. Multiple people also mentioned being spoken to, my daughter included. This led us to wonder if the Rake had visited any of us before our last encounter.

I set up a digital recorder near my bed and left it running all night, every night, for two weeks. I would tediously scan through the sounds of me rolling around in my bed each day when I woke up. By the end of the second week, I was quite used to the occasional sound of sleep while blurring through the recording at 8 times the normal speed. (This still took almost an hour every day)

On the first day of the third week, I thought I heard something different. What I found was a shrill voice. It was the Rake. I can’t listen to it long enough to even begin to transcribe it. I haven’t let anyone listen to it yet. All I know is that I’ve heard it before, and I now believe that it spoke when it was sitting in front of my husband. I don’t remember hearing anything at the time, but for some reason, the voice on the recorder immediately brings me back to that moment.

The thoughts that must have gone through my daughter’s head make me very upset.

I have not seen the Rake since he ruined my life, but I know that he has been in my room while I slept. I know and fear that one night I’ll wake up to see him staring at me.


Thursday, August 15, 2013

Error #53

Yesterday I was making a game with Sean called "ERROR #53", the name was weird but you'll see why the name is like that. I made it for my little brother. The game looked so childish but I wanted to test it anyway, my brother told me "test it when I'm gone, I have to go to school". Before playing it for the first time I saved it on a CD just in case of something. The CD had 3 folders,  one for MAC, other for WINDOWS 32 Bits and other for WINDOWS 64 BITS.

LEVEL 1: The game was normal, nothing weird happened. I was walking through a village, like any kids game, it said "Go to talk to the king". I went but some villagers talked to me, one said "Greetings!" and the other "ERROR #503 - UNKNOWN". I thought it was normal because: What game doesn't has glitches/bugs/errors? Trees colliders were messed up, and houses colliders were too. I talked to the king and told me to go kill some pumpkin guy and his hentchmen, I went to the mountains but there was an invisible wall, and I thought "That must be for players to not to fell out of the map". I went to the East *because the king told me to* and the screen freezed for 2 or 1 seconds, that was the level 2.

LEVEL 2:
Everything normal, mountains behind me and some bad guys trying to attack me, it was weird because I killed them with only one sword swing. The trees colliders stills messy. I kept looking forward and killed more bad guy but scary pop ups of people appeared. And then the screen freezed again, I think that was the third level...

LEVEL 3:
"Muahaha! this wil be fun!" That's what Jack, the pumpkin guy, said when appeared in front of me, I killed like 4 henchmen that tried to kill me and when I got close to Jack to kill him, a "BOOM" sound appeared and Jack changed to a dead corpse that dissapeared on a second. "WHAT THE TRUCK IS THIS?!?!?" was the first thing that got on my mind when that happened. The sky got all black and the place was all dark. It said I need to go back to the city. A glitched Unity Screen appeared.

LEVEL 4:
I went back and some scary pop ups appeared again but some old scary lady appeared with a little scream and then the place ground got black and the grass was glitched with black and pink squares, I kept looking forward and some white scary girl appeared.

LEVEL 5: Back on the city, had to talk to the king, he thanked me for defeating Jack and then he asked me to kill Jack again? Then the words DEATHDEATHDEATHDEATHDEATHDEATH# appeared. I went and a scary face screaming appeared, I ALMOST CRAP MYSELF. A glitched Powered by Unity screen appeared again.

LEVEL 6:
What the hell was I thinking? Why would I let my little brother play this? 4 little girls (those white ones) were running to me, the sky got literally dark, the floor was only white squares. Game over?

The game sent me to menu...

My brother came from school. "Hey! I'm home! How is the game?"
I placed the CD on the CD Case, then stepped on it and jumped, also I deleted it permanently from my pc. My brother cried and my mom grounded me, but my family is safe now.


Squidward Suicide

I was an intern at Nickelodeon Studios for a year in 2005 for my degree in animation. It wasn't paid of course, most internships aren't, but it did have some perks beyond education. To adults it might not seem like a big one, but most kids at the time would go crazy over it.
Now, since I worked directly with the editors and animators, I got to view the new episodes days before they aired. I'll get right to it without giving too many unnecessary details. They had very recently made the SpongeBob movie and the entire staff was somewhat sapped of creativity so it took them longer to start up the season. But the delay lasted longer for more upsetting reasons. There was a problem with the series 4 premiere that set everyone and everything back for several months.
Me and two other interns were in the editing room along with the lead animators and sound editors for the final cut. We received the copy that was supposed to be "Fear of a Krabby Patty" and gathered around the screen to watch. Now, given that it isn't final yet animators often put up a mock title card, sort of an inside joke for us, with phony, often times lewd titles, such as "How sex doesn't work" instead of "Rock-a-bye-Bivalve" when SpongeBob and Patrick adopt a sea scallop. Nothing particularly funny but work related chuckles. So when we saw the title card "Squidward's Suicide" we didn't think it more than a morbid joke.
One of the interns did a small throat laugh at it. The happy-go-lucky music plays as is normal. The story began with Squidward practicing his clarinet, hitting a few sour notes like normal. We hear SpongeBob laughing outside and Squidward stops, yelling at him to keep it down as he has a concert that night and needs to practice. SpongeBob says okay and goes to see Sandy with Patrick. The bubbles splash screen comes up and we see the ending of Squidward's concert. This is when things began to seem off.
While playing, a few frames repeat themselves, but the sound doesn't (at this point sound is synced up with animation, so, yes, that's not common) but when he stops playing, the sound finishes as if the skip never happened. There is slight murmuring in the crowd before they begin to boo him. Not normal cartoon booing that is common in the show, but you could very clearly hear malice in it. Squidward's in full frame and looks visibly afraid. The shot goes to the crowd, with SpongeBob in center frame, and he too is booing, very much unlike him. That isn't the oddest thing, though. What is odd is everyone had hyper realistic eyes. Very detailed. Clearly not shots of real people's eyes, but something a bit more real than CGI. The pupils were red. Some of us looked at each other, obviously confused, but since we weren't the writers, we didn't question its appeal to children yet.
The shot goes to Squidward sitting on the edge of his bed, looking very forlorn. The view out of his porthole window is of a night sky so it isn't very long after the concert. The unsettling part is at this point there is no sound. Literally no sound. Not even the feedback from the speakers in the room. It's as if the speakers were turned off, though their status showed them working perfectly. He just sat there, blinking, in this silence for about 30 seconds, then he started to sob softly. He put his hands (tentacles) over his eyes and cried quietly for a full minute more, all the while a sound in the background very slowly growing from nothing to barely audible. It sounded like a slight breeze through a forest.
The screen slowly begins to zoom in on his face. By slow I mean it's only noticeable if you look at shots 10 seconds apart side by side. His sobbing gets louder, more full of hurt and anger. The screen then twitches a bit, as if it twists in on itself, for a split second then back to normal. The wind-through-the-trees sound gets slowly louder and more severe, as if a storm is brewing somewhere. The eerie part is this sound, and Squidward's sobbing, sounded real, as if the sound wasn't coming from the speakers but as if the speakers were holes the sound was coming through from the other side. As good as sound as the studio likes to have, they don't purchase the equipment to be that good to produce sound of that quality.
Below the sound of the wind and sobbing, very faint, something sounded like laughing. It came at odd intervals and never lasted more than a second so you had a hard time pinning it (we watched this show twice, so pardon me if things sound too specific but I've had time to think about them). After 30 seconds of this, the screen blurred and twitched violently and something flashed over the screen, as if a single frame was replaced.
The lead animation editor paused and rewound frame by frame. What we saw was horrible. It was a still photo of a dead child. He couldn't have been more than 6. The face was mangled and bloodied, one eye dangling over his upturned face, popped. He was naked down to his underwear, his stomach crudely cut open and his entrails laying beside him. He was laying on some pavement that was probably a road.
The most upsetting part was that there was a shadow of the photographer. There was no crime tape, no evidence tags or markers, and the angle was completely off for a shot designed to be evidence. It would seem the photographer was the person responsible for the child's death. We were of course mortified, but pressed on, hoping that it was just a sick joke.
The screen flipped back to Squidward, still sobbing, louder than before, and half body in frame. There was now what appeard to be blood running down his face from his eyes. The blood was also done in a hyper realistic style, looking as if you touched it you'd get blood on your fingers. The wind sounded now as if it were that of a gale blowing through the forest; there were even snapping sounds of branches. The laughing, a deep baritone, lasting at longer intervals and coming more frequently. After about 20 seconds, the screen again twisted and showed a single frame photo.
The editor was reluctant to go back, we all were, but he knew he had to. This time the photo was that of what appeared to be a little girl, no older than the first child. She was laying on her stomach, her barrettes in a pool of blood next to her. Her left eye was too popped out and popped, naked except for underpants. Her entrails were piled on top of her above another crude cut along her back. Again the body was on the street and the photographer's shadow was visible, very similar in size and shape to the first. I had to choke back vomit and one intern, the only female in the room, ran out. The show resumed.
About 5 seconds after this second photo played, Squidward went silent, as did all sound, like it was when this scene started. He put his tentacles down and his eyes were now done in hyper realism like the others were in the beginning of this episode. They were bleeding, bloodshot, and pulsating. He just stared at the screen, as if watching the viewer. After about 10 seconds, he started sobbing, this time not covering his eyes. The sound was piercing and loud, and most fear inducing of all is his sobbing was mixed with screams.
Tears and blood were dripping down his face at a heavy rate. The wind sound came back, and so did the deep voiced laughing, and this time the still photo lasted for a good 5 frames.
The animator was able to stop it on the 4th and backed up. This time the photo was of a boy, about the same age, but this time the scene was different. The entrails were just being pulled out from a stomach wound by a large hand, the right eye popped and dangling, blood trickling down it. The animator proceeded. It was hard to believe, but the next one was different but we couldn't tell what. He went on to the next, same thing. He want back to the first and played them quicker and I lost it. I vomited on the floor, the animating and sound editors gasping at the screen. The 5 frames were not as if they were 5 different photos, they were played out as if they were frames from a video. We saw the hand slowly lift out the guts, we saw the kid's eyes focus on it, we even saw two frames of the kid beginning to blink.
The lead sound editor told us to stop, he had to call in the creator to see this. Mr. Hillenburg arrived within about 15 minutes. He was confused as to why he was called down there, so the editor just continued the episode. Once the few frames were shown, all screaming, all sound again stopped. Squidward was just staring at the viewer, full frame of the face, for about 3 seconds. The shot quickly panned out and that deep voice said "DO IT" and we see in Squidward's hands a shotgun. He immediately puts the gun in his mouth and pulls the trigger. Realistic blood and brain matter splatters the wall behind him, and his bed, and he flies back with the force. The last 5 seconds of this episode show his body on the bed, on his side, one eye dangling on what's left of his head above the floor, staring blankly at it. Then the episode ends.
Mr. Hillenburg is obviously angry at this. He demanded to know what the heck was going on. Most people left the room at this point, so it was just a handful of us to watch it again. Viewing the episode twice only served to imprint the entirety of it in my mind and cause me horrible nightmares. I'm sorry I stayed.
The only theory we could think of was the file was edited by someone in the chain from the drawing studio to here. The CTO was called in to analyze when it happened. The analysis of the file did show it was edited over by new material. However, the timestamp of it was a mere 24 seconds before we began viewing it. All equipment involved was examined for foreign software and hardware as well as glitches, as if the time stamp may have glitched and showed the wrong time, but everything checked out fine. We don't know what happened and to this day nobody does.
There was an investigation due to the nature of the photos, but nothing came of it. No child seen was identified and no clues were gathered from the data involved nor physical clues in the photos. I never believed in unexplainable phenomena before, but now that I have something happen and can't prove anything about it beyond anecdotal evidence, I think twice about things.


http://youtu.be/RrVV9JoPFdw

Suicide Mouse

I attach a video with the deleted scene of the DVD, discretion is advise

So do any of you remember those Mickey Mouse cartoons from the 1930s? The ones that were just put out on DVD a few years ago? Well, I hear there is one that was unreleased to even the most avid classic disney fans. According to sources, it's nothing special. It's just a continuous loop (like flinstones) of mickey walking past 6 buildings that goes on for two or three minutes before fading out. Unlike the cutesy tunes put in though, the song on this cartoon was not a song at all, just a constant banging on a piano as if the keys for a minute and a half before going to white noise for the remainder of the film. It wasn't the jolly old Mickey we've come to love either, Mickey wasn't dancing, not even smiling, just kind of walking as if you or I were walking, with a normal facial expression, but for some reason his head tilted side to side as he kept this dismal look. Up until a year or two ago, everyone believed that after it cut to black and that was it. When Leonard Maltin was reviewing the cartoon to be put in the complete series, he decided it was too junk to be on the DVD, but wanted to have a digital copy due to the fact that it was a creation of Walt. When he had a digitized version up on his computer to look at the file, he noticed something. 

The cartoon was 9 minutes and 4 seconds long. 

"After it cut to black, it stayed like that until the 6th minute, before going back into Mickey walking. The sound was different this time. It was a murmur. It wasn't a language, but more like a gurgled cry. As the noise got more indistinguishable and loud over the next minute, the picture began to get weird. The sidewalk started to go in directions that seemed impossible based on the physics of Mickeys walking. And the dismal face of the mouse was slowly curling into a smirk. On the 7th minute, the murmur turned into a bloodcurdling scream (the kind of scream painful to hear) and the picture was getting more obscure. Colors were happening that shouldn't have been possible at the time. Mickey face began to fall apart. his eyes rolled on the bottom of his chin like two marbles in a fishbowl, and his curled smile was pointing upward on the left side of his face. The buildings became rubble floating in midair and the sidewalk was still impossibly navigating in warped directions, a few seeming inconcievable with what we, as humans, know about direction. Mr. Maltin got disturbed and left the room, sending an employee to finish the video and take notes of everything happening up until the last second, and afterward immediately store the disc of the cartoon into the vault. This distorted screaming lasted until 8 minutes and a few seconds in, and then it abruptly cuts to the mickey mouse face at the credits of the end of every video with what sounded like a broken music box playing in the backround. This happened for about 30 seconds. From a security guard working under me who was making rounds outside of that room, I was told that after the last frame, the employee stumbled out of the room with pale skin saying "Real suffering is not known" 7 times before speedily taking the guards pistol and offing himself on the spot. The thing I could get out of Leonard Maltin was that the last frame was a piece of russian text that roughly said "the sights of hell bring its viewers back in".



The Russian Sleep Experiment

This is a real history, the Russians wanted to test the human reactions of the insomnia. Maybe you can search it in Google, but in that time they used to made experiments, even if that cost a mans life,or insanity.

Russian researchers in the late 1940s kept five people awake for fifteen days using an experimental gas based stimulant. They were kept in a sealed environment to carefully monitor their oxygen intake so the gas didn't kill them, since it was toxic in high concentrations. This was before closed circuit cameras so they had only microphones and 5 inch thick glass porthole sized windows into the chamber to monitor them. The chamber was stocked with books, cots to sleep on but no bedding, running water and toilet, and enough dried food to last all five for over a month.

The test subjects were political prisoners deemed enemies of the state during World War II.

Everything was fine for the first five days; the subjects hardly complained having been promised (falsely) that they would be freed if they submitted to the test and did not sleep for 30 days. Their conversations and activities were monitored and it was noted that they continued to talk about increasingly traumatic incidents in their past, and the general tone of their conversations took on a darker aspect after the 4 day mark.

After five days they started to complain about the circumstances and events that lead them to where they were and started to demonstrate severe paranoia. They stopped talking to each other and began alternately whispering to the microphones and one way mirrored portholes. Oddly they all seemed to think they could win the trust of the experimenters by turning over their comrades, the other subjects in captivity with them. At first the researchers suspected this was an effect of the gas itself...

After nine days the first of them started screaming. He ran the length of the chamber repeatedly yelling at the top of his lungs for 3 hours straight, he continued attempting to scream but was only able to produce occasional squeaks. The researchers postulated that he had physically torn his vocal cords. The most surprising thing about this behavior is how the other captives reacted to it... or rather didn't react to it. They continued whispering to the microphones until the second of the captives started to scream. The 2 non-screaming captives took the books apart, smeared page after page with their own feces and pasted them calmly over the glass portholes. The screaming promptly stopped.

So did the whispering to the microphones.

After 3 more days passed. The researchers checked the microphones hourly to make sure they were working, since they thought it impossible that no sound could be coming with 5 people inside. The oxygen consumption in the chamber indicated that all 5 must still be alive. In fact it was the amount of oxygen 5 people would consume at a very heavy level of strenuous exercise. On the morning of the 14th day the researchers did something they said they would not do to get a reaction from the captives, they used the intercom inside the chamber, hoping to provoke any response from the captives they were afraid were either dead or vegetables.

They announced: "We are opening the chamber to test the microphones step away from the door and lie flat on the floor or you will be shot. Compliance will earn one of you your immediate freedom."

To their surprise they heard a single phrase in a calm voice response: "We no longer want to be freed."

Debate broke out among the researchers and the military forces funding the research. Unable to provoke any more response using the intercom it was finally decided to open the chamber at midnight on the fifteenth day.

The chamber was flushed of the stimulant gas and filled with fresh air and immediately voices from the microphones began to object. 3 different voices began begging, as if pleading for the life of loved ones to turn the gas back on. The chamber was opened and soldiers sent in to retrieve the test subjects. They began to scream louder than ever, and so did the soldiers when they saw what was inside. Four of the five subjects were still alive, although no one could rightly call the state that any of them in 'life.'

The food rations past day 5 had not been so much as touched. There were chunks of meat from the dead test subject's thighs and chest stuffed into the drain in the center of the chamber, blocking the drain and allowing 4 inches of water to accumulate on the floor. Precisely how much of the water on the floor was actually blood was never determined. All four 'surviving' test subjects also had large portions of muscle and skin torn away from their bodies. The destruction of flesh and exposed bone on their finger tips indicated that the wounds were inflicted by hand, not with teeth as the researchers initially thought. Closer examination of the position and angles of the wounds indicated that most if not all of them were self-inflicted.

The abdominal organs below the ribcage of all four test subjects had been removed. While the heart, lungs and diaphragm remained in place, the skin and most of the muscles attached to the ribs had been ripped off, exposing the lungs through the ribcage. All the blood vessels and organs remained intact, they had just been taken out and laid on the floor, fanning out around the eviscerated but still living bodies of the subjects. The digestive tract of all four could be seen to be working, digesting food. It quickly became apparent that what they were digesting was their own flesh that they had ripped off and eaten over the course of days.

Most of the soldiers were Russian special operatives at the facility, but still many refused to return to the chamber to remove the test subjects. They continued to scream to be left in the chamber and alternately begged and demanded that the gas be turned back on, lest they fall asleep...

To everyone's surprise the test subjects put up a fierce fight in the process of being removed from the chamber. One of the Russian soldiers died from having his throat ripped out, another was gravely injured by having his testicles ripped off and an artery in his leg severed by one of the subject's teeth. Another 5 of the soldiers lost their lives if you count ones that committed suicide in the weeks following the incident.

In the struggle one of the four living subjects had his spleen ruptured and he bled out almost immediately. The medical researchers attempted to sedate him but this proved impossible. He was injected with more than ten times the human dose of a morphine derivative and still fought like a cornered animal, breaking the ribs and arm of one doctor. When heart was seen to beat for a full two minutes after he had bled out to the point there was more air in his vascular system than blood. Even after it stopped he continued to scream and flail for another 3 minutes, struggling to attack anyone in reach and just repeating the word "MORE" over and over, weaker and weaker, until he finally fell silent.

The surviving three test subjects were heavily restrained and moved to a medical facility, the two with intact vocal cords continuously begging for the gas demanding to be kept awake...

The most injured of the three was taken to the only surgical operating room that the facility had. In the process of preparing the subject to have his organs placed back within his body it was found that he was effectively immune to the sedative they had given him to prepare him for the surgery. He fought furiously against his restraints when the anesthetic gas was brought out to put him under. He managed to tear most of the way through a 4 inch wide leather strap on one wrist, even through the weight of a 200 pound soldier holding that wrist as well. It took only a little more anesthetic than normal to put him under, and the instant his eyelids fluttered and closed, his heart stopped. In the autopsy of the test subject that died on the operating table it was found that his blood had triple the normal level of oxygen. His muscles that were still attached to his skeleton were badly torn and he had broken 9 bones in his struggle to not be subdued. Most of them were from the force his own muscles had exerted on them.

The second survivor had been the first of the group of five to start screaming. His vocal cords destroyed he was unable to beg or object to surgery, and he only reacted by shaking his head violently in disapproval when the anesthetic gas was brought near him. He shook his head yes when someone suggested, reluctantly, they try the surgery without anesthetic, and did not react for the entire 6 hour procedure of replacing his abdominal organs and attempting to cover them with what remained of his skin. The surgeon presiding stated repeatedly that it should be medically possible for the patient to still be alive. One terrified nurse assisting the surgery stated that she had seen the patients mouth curl into a smile several times, whenever his eyes met hers.

When the surgery ended the subject looked at the surgeon and began to wheeze loudly, attempting to talk while struggling. Assuming this must be something of drastic importance the surgeon had a pen and pad fetched so the patient could write his message. It was simple. "Keep cutting."

The other two test subjects were given the same surgery, both without anesthetic as well. Although they had to be injected with a paralytic for the duration of the operation. The surgeon found it impossible to perform the operation while the patients laughed continuously. Once paralyzed the subjects could only follow the attending researchers with their eyes. The paralytic cleared their system in an abnormally short period of time and they were soon trying to escape their bonds. The moment they could speak they were again asking for the stimulant gas. The researchers tried asking why they had injured themselves, why they had ripped out their own guts and why they wanted to be given the gas again.

Only one response was given: "I must remain awake."

All three subject's restraints were reinforced and they were placed back into the chamber awaiting determination as to what should be done with them. The researchers, facing the wrath of their military 'benefactors' for having failed the stated goals of their project considered euthanizing the surviving subjects. The commanding officer, an ex-KGB instead saw potential, and wanted to see what would happen if they were put back on the gas. The researchers strongly objected, but were overruled.

In preparation for being sealed in the chamber again the subjects were connected to an EEG monitor and had their restraints padded for long term confinement. To everyone's surprise all three stopped struggling the moment it was let slip that they were going back on the gas. It was obvious that at this point all three were putting up a great struggle to stay awake. One of subjects that could speak was humming loudly and continuously; the mute subject was straining his legs against the leather bonds with all his might, first left, then right, then left again for something to focus on. The remaining subject was holding his head off his pillow and blinking rapidly. Having been the first to be wired for EEG most of the researchers were monitoring his brain waves in surprise. They were normal most of the time but sometimes flat lined inexplicably. It looked as if he were repeatedly suffering brain death, before returning to normal. As they focused on paper scrolling out of the brainwave monitor only one nurse saw his eyes slip shut at the same moment his head hit the pillow. His brainwaves immediately changed to that of deep sleep, then flatlined for the last time as his heart simultaneously stopped.

The only remaining subject that could speak started screaming to be sealed in now. His brainwaves showed the same flatlines as one who had just died from falling asleep. The commander gave the order to seal the chamber with both subjects inside, as well as 3 researchers. One of the named three immediately drew his gun and shot the commander point blank between the eyes, then turned the gun on the mute subject and blew his brains out as well.

He pointed his gun at the remaining subject, still restrained to a bed as the remaining members of the medical and research team fled the room. "I won't be locked in here with these things! Not with you!" he screamed at the man strapped to the table. "WHAT ARE YOU?" he demanded. "I must know!"

The subject smiled.

"Have you forgotten so easily?" The subject asked. "We are you. We are the madness that lurks within you all, begging to be free at every moment in your deepest animal mind. We are what you hide from in your beds every night. We are what you sedate into silence and paralysis when you go to the nocturnal haven where we cannot tread."

The researcher paused. Then aimed at the subject's heart and fired. The EEG flatlined as the subject weakly choked out, "So... nearly... free..."